«staging memory and trauma»: past voices and bodies haunting the present in the theatre of samuel beckett»

Tesis doctoral de Svetlana Antropova Antropova

The main objective of the current thesis is to provide thorough research on the workings of memory, especially traumatic memory in samuel beckett¿s theatre. In the universe of beckett¿s theatre memory and trauma are fully interwoven. To demonstrate this, psychological and psychoanalytical theories are applied. The objects of the current research include the physical stage language, disembodied voices and fragmented bodies on stage, as well as the language of trauma itself. Different types of trauma are analyzed, such as trauma of loss and mourning, failure, etc., But the most prominent trauma in beckett¿s theatre is otto rank¿s trauma of birth. The plays that are focused upon in this thesis are endgame, krapp¿s last tape, embers, footfalls, eh joe, that time, happy days, play, not i and a piece of monologue.

 

Datos académicos de la tesis doctoral ««staging memory and trauma»: past voices and bodies haunting the present in the theatre of samuel beckett»«

  • Título de la tesis:  «staging memory and trauma»: past voices and bodies haunting the present in the theatre of samuel beckett»
  • Autor:  Svetlana Antropova Antropova
  • Universidad:  Autónoma de Madrid
  • Fecha de lectura de la tesis:  21/11/2011

 

Dirección y tribunal

  • Director de la tesis
    • María Antonia Rodriguez Gago
  • Tribunal
    • Presidente del tribunal: bernhard Dietz guerrero
    • eulalia Piñero gil (vocal)
    • Antonio Ballesteros gonzalez (vocal)
    • María inés Casado antoniazzi (vocal)

 

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